site mausoleum

Soapstone, Himalayan Salt, Interference Blue

Acrylic Sheets, Mulberry Paper, Acrylic, Pumice

White Chipboard, Aluminum, Pumice, Interference Blue

 2019

ocean - though the origin of the ocean is unknown,, humans understand it as abiogenesis..

subduction - the subduction of tectonic plates also generates orogeny,, creating a natural entry to the site..

intervention - the ascent to the site activates a ne

 bohemian hostel

16 x 20 inches

Bass Wood,, Corrugated Cardboard and Acrylic Paint  2019

the bohemian hostel works with the idea of a non-conforming approach to life;; and and such a non-conforming approach to an architecture of a know typology,, the hostel..

considering the rigor in a germanic culture,, the question became how to take a rigorous and repetitive form and break it apart into a non-confo

poet huts

12 x 12 inches

Bass Wood,, Aluminum Tubing,, Corrugated Cardboard and Acrylic Paint  2019

poetry can be considered to be developed by the sauntering of the mind through spatial and figurative experiences to conjure a visual narrative.. each instance brings one to a point in place and time including a discovery,, or a memory which can inform the direction of the poem.. each direction is at 

horizontal city

2016

lighthouse

2016

model of corrugated cardboard,, chipboard,, thread,, acrylic paint,, acetate sheet,, wood dowel,, red lamp,, and gel medium.. 12.5”x8”x8.75”

In considering a lighthouse it needs to be understood that it does not blur a boundary which is so often familiar as a thematic device in architecture.. Instead it definitively defines the edge of land and that of the sea.. It measures distance,

House of a Thousand Triangles

Aluminum Sheets and Tubes, Acrylic and Corrugated Cardboard

2015

Designed for Yeo Song Lee

jwc's matisse 

acrylic sheets

4x4x2  2019

interpretation of jeon won choi's mattise cut-out project.

the model uses acrylic sheets to define a space which has portions cut away. the pieces that are cut away are reused to create interior elements. this eliminates the waste of material which is consitent with matisse in his cut-outs.

tonya's thesis

basswood  2017

interpretation of antonina dominici's thesis concept

potsdamer platz 

cherry wood,, bass wood,, brass sections and mesh  1992

the project is an examination of the necessity to maintain the void which currently exists on the site;; while simultaneously critiquing the original “berlin wall”.. since the site is loaded by the history of the past interventions on the site,, mainly political interventions,, the critique focused on ‘political architecture’. 

russian exchange 

brass,, cherry wood,, copper mesh  1992

the project examines the current methods of exchange,, while critiquing the changing conditions of the soviet union (now disjunctured) and europe (now the european economic community).. the project was was not designed with the intention to exhibit consumer goods,, but is rather instead a device to move people;; curiously enough,, in single f

marble cemetery 

plywood,, bass wood,, brass cables  1992

the project explores the inherent ability of the theatre to ‘displace’ the mind and body while a performance is ‘placed’ before a spectator.. it emphasizes the real [life] (above ground),, and the surreal [theatre] (below ground),, and uses a link as a transition between these worlds and the cemetery.. employment of the views and vistas affor